lecturer of 2026/2027 Autumn semester
Not opened for teaching. Click the study programme link below to see the nominal division schedule.
lecturer of 2026/2027 Spring semester
Not opened for teaching. Click the study programme link below to see the nominal division schedule.
Brief description of the course
Realism and Modernism. Those who reject „new art“ (Ivan Bunin, Anton Chekhov, et al.). The main trends of Russian Modernism: Symbolism (Alexander Blok, Andrei Belyi, Valery Bryusov, Zinaida Gippius, Dmitri Merezhkovsky, Fyodor Sologub, et al.), Acmeism (Anna Akhmatova, Nikolai Gumilev, Osip Mandel’shtam, et al.), Futurism (David Burlyuk, Velimir Khlebnikov, Alexei Kruchenykh, Vladimir Mayakovsky, Igor Severyanin). The invention of proletarian literature. Soviet literature of the 1920s: the concept of the poputchik (fellow traveler). Soviet literature of the 1930s: the invention of Socialist Realism. Culture and totalitarianism. Literature as a social phenomenon: unions, magazines, publishing houses, awards. The development of Russian émigré literature. An overview of Russian literature after the deaths of Boris Pasternak (1960) and Anna Akhmatova (1966). Two poetics (the poetics of subjectivity and the poetics of language) as the two major trends in 20th-century Russian literature(s).
Learning outcomes in the course
Upon completing the course the student:
- distinguishes Realism and Modernism as two competing literary movements;
- understands the major trends in Russian Modernism;
- analyzes the distinctive features of early, mid-, and late Soviet Russian literature;
- distinguishes two periods in Russian émigré literature: before 1940 and after the end of World War II.